maph49 — Video tomado de la película La Locura del rock and roll, filmada en México en 1956.
La Mecedora es composición de Mario Patrón
Video taken from the movie The Madness of rock and roll, filmed in Mexico in 1956. The Rocker is Mario Patrón
maph49 — Video tomado de la pelicula Las Locuras del rock and roll.
Canta Gloria Ríos con el grupo de Mario Patrón.
Más booguie o jazz que rock and roll. Gloria Ríos, la reina ignorada del rock mexicano.
Video taken from the movie The Madness of rock and roll. Sing Glory Be Gone with the group of Mario Patrón ore booguie jazz rock and roll. Glory Be Gone, the queen of Mexican rock ignored maph49 — Video de 1971, de los Dug Dug's, de los tiempos de Avándaro.
1971 Video of the Dug Dug's of times Avándaro
http://www.youtube.com/v/MTJnlrjA8C4
http://www.youtube.com/v/oMTY6QlXqT4
TEEN TOPS EN LA PELÍCULA PILOTOS DE LA MUERTE
TEEN MOVIE TOPS IN THE DRIVERS OF DEATH
Gloria Queen of the Mexican rock. Gloria ignored (with the group of Mario Patrón The little clock (rock around the clock) from the movie The Madness of Rock 'and Roll boogie jazz rock and roll queen Be Gone Gloria ignored Mexican rock! So this girl was ahead of the Blackshirts (1959) Locos del Ritmo (December 1958) in Rock record & Roll! Bueno was the first to record Rock & Roll in Spanish, but I imagine that the Locos del Ritmo were the first to write rock in Spanish (I'm not a rebel without a cause) The Rocker (written by Mario Patron of the film, 'The Locura del Rock 'and Roll' filmed in Mexico in 1956 TRAILER APPARATUS OF TEEN MOVIE TOPS IN THE DRIVERS OF DEATH ignored Queen of Rock 'and Mexican Roll Singer, dancer, actress, star. She was Gloria Ios which in the years 50 of the last century was the first woman to play the rock and roll in exico. Born in the East Side of San AntonioTexas in the United States in 1928, came to exico to 16 years of age. He developed his artistic career, eventually moving into the pace of U.S. oung: rock and roll. Two disadvantages had against her age, despite being a young adult (a little ore than 30 years) groups that followed. As in the case of Bill Haley, whom he recognizes his interpretation of Rock around the clock many successes ore, is made of hand when you set the date of the beginning of rock and roll. Everyone leaves with Elvis Presley is only mentioned as an antecedent to Bill Halley. In the case of Gloria Be Gone something similar happens. Half her age, which mainly revolved burlesque, radio, cinema cabaret, kept away from oung who had just begun to know the rock and roll, which could not even see it live on your age, nly in film, TV on the radio to listen. As for the groups that attended, its members were true usic-hardened usic orchestras popular jazz groups. Mario Patrón Ector Hallal El Arabe, Pablo Beltran Ruiz, Ortega Ector Cuco Valtierra, were the joint directors of orchestras musicians who decided to play rock and roll and rhythm were also fashionable oung adults. These two stigmas they are not able to remove Gloria never Be Gone, as even when usic oung rock'n'roll that began to appear professionally in early 1960, endorsed. Ector album covers Hallal El Arabe, Mario Patrón Pablo Beltran Ruiz Gloria Be Gone in 1949 According to Tere Estrada, Gloria Be Gone debuted in 1955 at the margin accompanied by Leo Acosta their stars. He also performed at the nightclub Mar Cel with the musical revue "From Charleston to rock and roll." Also made a musical revue at the Theatre IRIC. She was married first with Adalberto Martínez Springs recently deceased famous omics, with whom she had a daughter. Call Regina (which is also dedicated to singing jazz-oriented ore). ore later married Mario Patrón took her daughter subsequently onyx Leo Acosta, having Mario Mauricio. In 1960 he was with Mario Patrón to Europe, where the person who hired the left abandoned. The transatlantic passage was paid for performances of Gloria IOS in the boat, singing, dancing, playing drums, piano, guitar. Performed in Germany (in German where it was a song describing herself, body measurements including height. That such a long stay in Europe, away from the Mexican stage rocking links to public knowledge of, environmental retiring in 1971. Dance teacher was Silvia Pinal de Hoyos Kitty dance partner Jorge Santillan was born in 1928 died on March 2, 2002 at the age of 74 years. No note appeared in the newspapers of the City of exico rock magazines in announcing his death. Mario Sanabria Los Locos del Ritmo think of her: "Well I think that if influential, especially in her dancing, I got to see many women dancing like Gloria Be Gone, but feel that his stay was brief was lost on the way , the powerful image of singer dancer Rock and roll, perhaps because he was very versatile not stuck in the Rock and Roll. " As a curious The Novels Gloria accompanied Be Gone for a while, which listened in a bar on Avenida Chapultepec liked, then brought home some time but never tried it out contracts so they parted. A or 1966. Tomás Rodríguez La Negrita, Leo Acosta, Glory Be Gone, Enrique Almanza Jeep, Cecilio Mario Patrón Note Chilo Moran in 1956 appeared in the newspaper Reforma on March 6, 2006 Plant germ Be Gone rock musical ender deny precursors influence dancer say their inspiration came from EU María Eugenia exico Sevilla City (March 6, 2006) .- emerged from burlesque cabaret, a jazz singer vedette marked the beginning of rock'n'roll in exico. But you 50 to spare his heirs after this championship of "rockin '." Researchers such as Arturo Lara Gloria Teresa Estrada consider Be Gone (1928-2002) "pioneer ignored" the history of rock. although the generation of teenagers who took the pace in the late 50's to recognize you as a precursor, some exponents ust recognize the influence of U.S. groups that were heard on the radio, as Billy Halley, Little Richard, of course, Elvis Presley. "The saw as a jazz singer who had a lot of feeling, but it was not really rockin," says Jose Negrete, a pianist from Los Locos del Ritmo, a group formed in 1957. Mario Sanabria, bassist ... Los Locos, other rock and rollers who were part of the movement of youth groups that are projected using 1958 as the bassist for The Sinners guitarist Ramón Rodríguez Javier poke of TJs, in line with Negrete "It is fair to call her a pioneer." "It was she who began using the erms rock and roll, but actually played some forms of jazz swing. For fashion rock told him many things that were not, "says Negrete. These usic awarded to the projection of who was a famous movie star, appearing in films including The Madness of rock and roll (1957), their ability to spread the January in which, for those of you, the band also dabbled briefly Juan Garcia Esquivel. Recognized not, the drummer also Mexican-born Texas, recorded the heartbreak Hotel The little clock in the first rock'n'roll record, the August 8, 1956, based on which this 2006 is the fiftieth anniversary of the emergence of January in the country two months earlier, around the clock, successful translation of Halley Rock around the clock, your ed ú Mario Patrón were the first songs recorded as the soundtrack of the first Mexican film about rock and roll, Youth rampant, where it appeared Be Gone The "Pochito" that influenced his way of dancing. "Glory Be Gone championed rock and roll until his retirement in 1971," says Lara, who after 11 years of research is the author of the first national encyclopedia of rock, compilation CD in DVD format, whose first umber, an demo version, Gloria dedicated to Ios. This product is not yet commercially. The hosts of jazz in its infancy, it was rock and roll usic of kids: the usic that began to include an occasional piece jazz musicians were in their thirties who played in orchestras where executed mambos, boleros, cha cha chas For these ensembles, rock and roll was "a pace ace who were popular in dance halls, nightclubs, theaters like the IRIC, the Follies-scenes Cervantes transiting after rock and roll groups," notes the bassist ictor Ruiz Passos "Vitillo. In 1955 he joined the first group of rock'n'roll: Glory Be Gone rate their stars, made by those who would become the national jazz luminaries. Mario Patron IOS-second husband was on piano, Tommy Rodriguez on tenor saxophone, Chilo Moran on trumpet, Enrique Almanza "The jeep, on bass, former husband of singer Toño Leo Adame Acosta alternated in the grouping battery would last about half year, until 1957. "He was a rock and roll a little different than we did after the groups, as jazz," says Rodriguez. "Definitely we were convinced that that was not rock'n'roll," sums Negrete. "That was the view adult rock. Then we went the kids, we felt as their own. "Ore near the youthful sound that erupted in celebrations garages in 1957 that went to the media in 1958, was Los Lunatics. The group formed in 1956, stepped on the heels of the recordings of Ios: that same year went Blue suede shoes, Presley's success, a rock of Jose Luis Arcaraz, waves him back. Arcaraz, the pianist of the band that played in the style referred to Presley, but when the king of rock said he preferred to kiss a black two Mexican, causing the burning of their records in Ocala, the group was affected . "In the Theatre IRIC the bottom fell out links to public insults," says Sergio Bustamante, vocalist. The Lunatics was "a line in the water" Arcaraz qualifies as only survived half year, at which time he recorded 10 singles. It was perhaps because of their status as Chicano marginalized, despite being a woman in a conservative country Be Gone became responsible for introducing groundbreaking musical that way, he considers his daughter Springs Adalberto Martinez, Regina Martinez. Glory Be Gone films where scene involving one of the film Glory Be Gone Voices of Spring, 1947 by Jaime Salvador Adalberto Martínez Be Gone Springs Gloria Gallo Giro, 1948 by Alberto Gout Flats éndez Fernando 1950, Adalberto Martinez Gloria Springs One Be Gone decent woman, 1950, Raul de Anda Good night my love 1951 Fernando A Rivero my girlfriend's husband René Cardona 1951 1951 Puerto Temptation of René Cardona, 1952 I'm still waiting for Tito Davison outh rampant, 1956, addressed IAZ by Jose Morales, Gloria appears IOS with Mario Patrón The Wilds of rock and roll, 1956, directed by Fernando éndez appears Ios Gloria Mario Patrón adolescent's rebellion in 1957 Beauty Contest 1958, directed by José IAZ Morales Glory Be Gone with Mario Patrón 1958 tale of a woman of John. Dead of fear Ortega 1958 Jaime Salvador memorable melodies, 1959, directed by Jaime Salvador, appears Glory Be Gone with the ballet de León Escobar. Scenes from the movie The Madness of rock and roll, 1956 (left Juan Garcia Esquivel right Pancho Ordovas Alfonso Arau) Poster of the journal Arabian Nights Glory Be Gone All-Star Rhythm Mario Patron (piano), Cuco Valtierra ( tenor sax), Tommy La Negrita Rodríguez (baritone sax), Leo Acosta (drums Jeep Almazán Enrique (bass) Discography The little clock (rock aronde the clock) Hotel Broken Hearts (cover) with the Joint Hallal Ector El Arab, RCA Victor, exico, 1956 The little clock (cover) with the Set of Jorge Ortega, RCA Victor, exico, 1956 is a Tramp (cover) with the Orchestre de Pablo Beltran Ruiz, RCA ictor, 1958 Only you (cover) with the Orchestra Pablo Beltran Ruiz, RCA ictor, 1958 The Rocking Chair, with the Stars of Rhythm, RCA, exico, 1956, original composition of Mario Patrón Here we crocodile (cover), with the Stars of Rhythm, RCA, exico, 1956.
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