Jimi Hendrix
Shotgun
Buddy & Stacey
1965
First TV Appearance
(Discovered 11 years ago by ME, but I forgot to tell Anyone)
par mrjyn (Dailymotion)
oldest film footage of Jimi Hendrix
WLAC-TV studios,
L & C Tower,
159 4th Avenue North,
Nashville
L & C Tower,
159 4th Avenue North,
Nashville
Click HERE to watch!
mrjyn
*Please, I beg of you. I did not make this video. This video has 2,000 comments. Half of them are that Jimi Hendrix is not the fellow marked with a Big Red Arrow appearing in this video. Jimi LOOKS LIKE JIMI HENDRIX HERE! HE'S PLAYING A STRATOCASTER
Matt Wilson, please don't ask me about the arrow, UNLESS YOU like that kind of thing. You either Peter Nicholas Hyrka and Lenny Smith and Julie Skye Alan Boudreaux, Alex Greene et al.
Jimi appears as guitar player in "The Royal Company" playing in the back-up band for Buddy & Stacy on the WLAC-TV Channel 5 show "Night Train" performing "Shotgun".
On the same show Jimmy Church performs "In The Midnight Hour".
Wilson Pickett's version of the song was released in late June - early July.
Billy Cox has said that Jimi left and returned to Nashville several times...
on
Night Train
Nashville, WLAC-TV, Channel 5 Variety Music show
Most used words in lifetime comments for this video
arrow
backwards bass board correction dontfuckthisup drummer fender focus
folks fretboard jangle gayest guitar groove guitarist handed hendrix
ignore jaguar jazzmaster jimi jimi's jimmi jimmy lawn lefty macarena
mistake mistakes mustang nashville neck nevermind photo pointed referral
rightly shown singers stacey stacy standing stone strung studio thread
treasure uploaded upside
Crossover distortion is a type of distortion which is caused by switching between devices driving a load. It is most commonly seen in complementary, or "push-pull", Class-B amplifier stages, although it is occasionally seen in other types of circuits as well.
Input-Output characteristic of a Class-B complementary emitter follower stage.
The term crossover signifies the "crossing over" of the signal between devices, in this case, from the upper transistor to the lower and vice versa. The term is not related to the audio loudspeaker crossover filter—a filtering circuit which divides an audio signal into frequency bands to drive separate drivers in multiway speakers.
Distortion mechanism
Crossover distortion
The image shows a typical class-B emitter-follower complementary output stage. Under no signal conditions, the output is exactly midway between the supplies (i.e., at 0 V). When this is the case, the base-emitter bias of both the transistors is zero, so they are in the cut-off region where the transistors are not conducting.
Consider a positive-going swing: As long as the input is less than the required forward VBE drop (≈ 0.65 V) of the upper NPN transistor, it will remain off or conduct very little - this is the same as a diode operation as far as the base circuit is concerned, and the output voltage does not follow the input (the lower PNP transistor is still off because its base-emitter diode is being reverse biased by the positive-going input). The same applies for the lower transistor but for a negative-going input. Thus, between about ±0.65 V of input, the output voltage is not a true replica or amplified version of the input, and we can see that as a "kink" in the output waveform near 0 V (or where one transistor stops conducting and the other starts). This kink is the most pronounced form of crossover distortion, and it becomes more evident and intrusive when the output voltage swing is reduced.
Less pronounced forms of distortion may be observed in this circuit as well. An emitter-follower will have a voltage gain of just under 1. In the circuit shown, the NPN emitter-follower and the PNP emitter-follower will generally have very slightly different voltage gains, leading to slightly different gains above and below ground. Other more subtle forms of crossover distortion, stemming from slight differences between the PNP and NPN devices, exist as well.
