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Dylan walked through toKertesz photographed from his bird-perch on its west.
Hendrix to Electric Lady's (Daedalus' and Bloom's crossroads of Rock 'n' Roll).
James wrote, looking from its north:
...this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city...
And it was that... Nabokov-quaint Americana for his Pnims to nest:
How us? Locking and unlocking that private gate;
tamping the cobbled mews (echoes of horse's hooves).
Something in the bouillabaisses, Not from Marseilles; from Balducci's caused the bray (our roof, high enough to fly).
Compare the last yellow-walled chalet in Little Italy's sky; gun forever swaying in the air.
You knew I couldn't stay ... money needed spending, nights befriending.
Yes, a few good friends got out alive, but the Ravenite nevermore survives.
I hear Jolson on Mulberry, lit up like Christmas inside Mare Chiarra (was that really Mr. Gotti)?
It's all gone now, all that show; and women come and go-- (offering cash at San Genaro).
Boutiques replace the butcher shops,
quailing clerks the bloodied mops.
“I am an amateur and I intend to stay that way for the rest of my life.” – Andre Kertesz
“I do what I feel, that’s all, I am an ordinary photographer working for his own pleasure. That’s all I’ve ever done.” – Andre Kertesz
“Photography is my only language.” – Andre Kertesz
“The camera is my tool. Through it I give a reason to everything around me.” – Andre Kertesz
“Everything is a subject. Every subject has a rhythm. To feel it is the raison d’être. The photograph is a fixed moment of such a raison d’être, which lives on in itself.” – Andre Kertesz
“I am a lucky man. I can do something with almost anything I see. Everything is still interesting to me.” – Andre Kertesz
“I can’t talk about my style. It us kind of difficult for me. I don’t like styles. I only like taking photos and expressing myself through them.” – Andre Kertesz
“If you want to write you should learn the alphabet. You write and write and in the end you hava a beautiful, perfect alphabet. But it isn’t the alphabed that is important. The important thing is what you are writing, what you are expressing. The same thing goes for photography. Photographs can be technically perfect and even beautiful, but they have no expression.” – Andre Kertesz
“Technique isn’t important. Technique is in the blood. Events and mood are more important than good light and the happening is what is important.”- Andre Kertesz
“The moment always dictates in my work. What I feel, I do. This is the most important thing for me, Everybody can look, but they don’t necessarily see. I never calculate or consider; I see a situation and I know that it’s right, even if I have to go back to get the proper lighting.”- Andre Kertesz
“I am an amateur and intend to remain one my whole life long. I attribute to photography the task of recording the real nature of things, their interior, their life. The photographer’s art is a continuous discovery which requires patience and time. A photograph draws its beauty from the truth with which it’s marked. For this very reason I refuse all the tricks of the trade and professional virtuosity which could make me betray my career. As soon as I find a subject which interests me, I leave it to the lens to record it truthfully. Look at the reporters and at the amateur photographer! They both have only one goal; to record a memory or a document. And that is pure photography. – Andre Kertesz
“The most valuable things in a life are a man’s memories. And they are priceless.” – Andre Kertesz
“I do not document anything, I give an interpretation.” – Andre Kertesz
“Seeing is not enough; you have to feel what you photograph.” – Andre Kertesz
