*Philips on air persona was quickly crazed Hillbilly to deliver a frantic and entertaining sense of humor. Nevertheless, he also had a great ear for music listening public will enjoy, and it includes both black and white music, which was in abundance after the Second World War , Memphis, booming river town, which attracted large numbers of rural blacks and whites (along with its musical traditions). He played a great rhythm and blues, country music, boogie-Woodie, and jazz, as well as Sun Records artists. In July, 1954 year he was the first DJ to broadcast a young Elvis Presley debut recording, "that everything is all right / Blue Moon of Kentucky" (Sun 209), and got Presley to disclose his race in an interview, asking which high school 19-year-old singer attended (knowing that a of segregation, his audience would be easy to know what the race, which was attended by the school). While Phillips was not involved in the bribery scandal of the time (as it was released), he was dismissed in late 1958, when the station adopted the Top 40 format, the refusal of his Style Freedom."I just knew that every night, Dr. George (Nichopoulos) will be my wardrobe. He would say: 'I'm going to see Elvis and give him a booster shot."
He is ( "scattering") owned by After the laughter of chimpanzees, the pursuit of the poor to own slot machines monkeys, fireworks, a term found in the Schedule of Delegation to the room and end religious booklet, "Phillips is a broadcaster is a record of all title yellow on the right day "means the release of undervaluing TIT" RESURRECTION are nervous about the interview, Phillips said good. n the 1950s decade, RESURRECTION - all with the purpose of sleepwalking Marilyn's 78s, milk chocolate, Billy Sunday fluorine Hill Records was the most successful invasion of unsold darkness. In an interview early Elvis "has been studied for electrical work, the wrong direction" and the ENDIVE'S, he is referring largely to the allocator is not. Phillips, " 'like we say, not answered in a distraction.US not bother' dingily, my son." Karry FYI DRIPPY PAINSTAKING enthusiasm, and began ORBISON. As with the discovery of his sunny, RESURRECTION, NYE IGOR PUSHKIN 42 at the age of nine, died in 1968.He has spent the last ten years of his life, working on small radio stations, seldom lasting long. heavy drunkard and a long-time drug use (mainly painkillers and amphetamines, which contributed to his manic on-air conduct), Phillips died of heart failure at age 42 . Dewey Phillips: Phillips' on-air persona was quickly crazed Hillbilly to deliver a frantic and entertaining sense of humor. Nevertheless, he also had a great ear for music listening public will enjoy, and it includes both black and white music, which was in abundance after the Second World War, Memphis, booming river town, which attracted large numbers of rural blacks and whites (along with their musical traditions). He played a great rhythm and blues, country music, boogie-wedgie, and jazz, as well as Sun Records artists. In July 1954 he was the first DJ to broadcast a young Elvis Presley debut recording, "that's all right / Blue Moon of Kentucky" (Sun 209), and got Presley to disclose his race in an interview, asking which high school 19-year-old singer attended (knowing that because of segregation, his audience would be easy to know what the race, which was attended by the school). Although Phillips was not involved in the bribery scandal of the time (as it was released), he was dismissed in late 1958, when the station adopted the Top 40 format, the refusal of his style of Freedom. He has spent the last ten years of his life, working on small radio stations, seldom lasting long. Heavy drunkard and a long-time drug use (mainly painkillers and amphetamines, which contributed to his manic on-air conduct), Phillips died of heart failure at the age of 42. Find A Grave
In 1949, Dewey Phillips (born May 13.1926) and became the first great rock 'n' roll radio programmer. He played R and B, blues, country, or what people call later Rickard roll. Fun chatter. He called on all good people. He knew a good song, very quickly. He played the good first.
When "Since I met you Baby" at d'Joe Hunter was released, he made a double-track type of recording a few seconds. It sounded great. He said he was in the air as the first stereo radio. For young people, there's no time to FM radio.
He was the first radio-TV sickest music programs. Red, Hot and Blue and pop shop. He was in a large room search of the warehouse storage space with a small desk flimsy and 45 rpm record players. Basketball shooting of hoops around. He was a University of Memphis sports fans. Anything can happen and usually did.
He sidekick, Harry Fretsaws. Harry wore a coat and a big guerrilla mask. Harry never talked about. After he threw a bowling ball through the Dewey table. Dewey immediately vanished as he crashed to the floor. They stand up spot that looks beautiful actress. I think it was Mamie Van Doren in high school confidential. Others say, Jayne Mansfield in The Girl can not help it. Harry stood up for it, and passes into the hands of the front. Genteel and good who wants to put an end to rock-n-roll program called obscene and Dewey show was immediately ejected from the TV. Dewey became known as the DJ is playing only the first Elvis record. He was much more than just that. Everyone wants Dewey likes their records. It was like they knew it was good.
Later, DJ, Ron Jordan ended his program saying
"We still love you Daddy-o Dewey, wherever you are. Dewey was not controlled. He was sacked in 1959, while he was still # 1 rated Memphis DJ. Radio off in the Top 40.Not so much good material, or fun, anymore. Dewey added a lot of my musical interests, even today. I will always love Daddy
They do not do disc jockeys like Dewey Phillips more. In fact, I do not think that they are even people like Dewey Phillips longer, and if so, I doubt they would never be allowed to broadcast their own brand of insanity on any body's broadcasts anywhere, anytime. What Phillips made in his near decade reign as the King had already Memphis Radio Dial, may have been often imitated, and with more commercial success, in other places (for example: Alan Freed is often referred to as the "inventor" of rock 'n' roll radio but Dewey made his first and also to "American Bandstand", Dewey had his own daily television rookiest beamed to living rooms of unsuspecting ago when Dick Clark was still unknown Philly meteorologist). Nevertheless, while Fried and Clark, to the north and with more financial support, can easily sanitize Red Hot and Blue style for greater acceptance, they, nor anyone else has never tried to imitate Phillips' crazed, loud engine style : Yes, not content just to sing along with it more often than not shouting, that over the top of his playing. Radio has never sounded so strongly, or, in some, more dangerous.
By the mid 50's, "Daddy-O" Dewey had parlayed his knowledge and love of hardcore rhythmical to the forum from which he had first inspired, and then helped to start at the world famous, such as local fans of Elvis Presley and Jerry Lee Lewis and that alone Phillips earned him an indisputable position as the founding father of Rock'n'Roll. On the contrary, it has become increasingly disenchanted with a relatively gentle, soft sound of the 1960's, and could not find a house for his particular strain of madness, as the breed quickly became a big Bigness, he died alone and broken v'68, and to this day remains the same as wrong a little more than a footnote in a biography of Elvis.
Finally, someone made a dent in this historical travesty of issuance on the disc, the first time, an hour worth of rechecks Dewey with a career, and it is not only pleasant to listen to (especially in its advertising of the ad libbed used furniture stores and "Velvet CV Champagne: the Beer 1952! "), but provide a hitherto unprecedented look at the genesis of the music - and social - revolution. For on Dewey Phillips' lowly radio show, we can hear the two earlier attempts to unite disparate cultures into a song, and the consequences of this movement, when complete which shook the world.
In the Red Hot Blue And then we have a rare opportunity to drop in the history of shaking moment of creation, and admire, and to pay overdue respect for the man who it all in motion. And on the radio. Purchase your piece of history today, referring to the address below, and say 'Em Phillips sent me! "The idea that Dewey Phillips received via radio, for many people in Memphis, it is in their minds, whether they know it or not, and they can not get it. Similarly, as our mayor, one black and one white and with very different approaches have quoted Dewey Phillips in the newspapers over the past six months. Even those straight-laced, fat cat, Republican assholes, who control the city, they sat and listened to Dewey Phillips played in black and white music together. You go to Graceland now, and you will see a Bunche crap, but you do not see where the idea - so fucking criminal, but did not by chance. The very fact that Elvis lived was eliminated from the history of his life. Sam Phillips, Elvis when he was recording, the recording was the idea.
$ 4 инвестиционных кто когда-либо сделал. Это сколько Elvis Presley выплатили придумывать канитель
July 18, 1953: it was the best $ 4 investment who has ever made. This is how Elvis Presley paid to invent rigmarole.
Elvis Presley: I was due to 'truck, and I was studying to be an electrician, too, you see. Well, I went to Sun Records.
Jack Clement (assistant to Sun Records owner Sam Phillips): The sun was just a place, which was much higher than in most experimental. I think this is the most important thing that did it. This is just one place where they could go weirdo /
COURT Phillips (vice-president of Sun Records): He was just a long-haired guy who used to hang around the corner pharmacy. When Elvis came to our studio, it was little more than a glorified shed, it would reduce the private drive to his mother's birthday.
Marion Keisker (Secretary, the Memphis Recording Service): It was a busy Saturday afternoon. The Office was full of people wanting to make personal notes. He came in said that he wanted to make a record. I told him he would have to wait, and he said "OK." He sat.
While he waited, we had the conversation. He said the singer. I said: "What are you a singer?" He said: "I sing all kinds." I said: "Who do you like?" He said: "I do not sound like nobody."
COURT Phillips: My brother Sam found him, and very impressed by his performance, though with long hair and old blue jeans, he looked pretty wild.
Sam Phillips (a co-owner of Memphis Recording Service): I was in the control room. Only two things I heard Elvis do when he came to my happiness, and this thing Ink Spots [Here is where your heart Start].
Elvis Presley: He was the guy they dropped my name, and told me he could call me sometimes.
Phillips COURT: After he would have sung his songs, for which we charge $ 4 for the record, we said, we may call him for a reduced sales drive. He was not too enthusiastic, but I think that was because he was not very confident in my own abilities.
Sam Phillips: I wrote his name down, how to get from him, and put it on a little old spindle forward when we went from the door.
Jun 26, 1954: Sam Phillips ring Presley and invites him to Sun Studio to make a professional recording.
Marion Keisker (Secretary, the Memphis Recording Service): Almost a year after Elvis recorded my happiness, Sam got all excited about the new song he would have found, but could not find anyone to sing.
Sam Phillips: I would run through the ballad [Without You], written by prisoners in Tennessee state pen, and I like crooner.
Marion Keisker: I mentioned it to Elvis again.
Elvis Presley: "You want some blues?" He suggested, on the phone, knowing I've always been sucker for this kind of jive. He said Big Boy Cutup his name, and perhaps others, too, / All that I know, I put the phone and ran 15 blocks Mr. Phillips bureau before he was to leave the line.
4 Jul, 1954: rehearses Presley at Sun Studios with Scotty Moore and Bill Black.
Marion Keisker: We got Elvis to come, but he could not make a song to meet Sam. This could be the end, but then, Sam has caused concern.
COURT Phillips (co-owner, Sang-Records): This session was the strong frustration of business. He was not satisfied with any of the songs we suggested. Nothing we tried, as suited to his style.
Sam Phillips: Elvis toyed around with it. I decided he needed a pair of PF good rhythm men back from him so I called Scotty [Moore, guitarist] and told him to get hold of Bill [Black, bassist]. And I said: "Now I have a young man, and it will be another" I told him and Bill to go to work and with little Elvis. I said: "Now he is very nervous and timid and very polite."
5 Jul., 1954: Presley records, all right, Mom, for Sun Records.
Scotty Moore (guitar): It was just a sample. This is the only reason was the only Black Bill and me in the studio. We just need enough music to know that Elvis was like a film, because the first record he was acetate. Sam tries to get straight to his voice. Whether it is to sing a song tempo or better?
We tried four songs. I love you It was the first time that we put on tape. We used to play with more musicians involved, NOW. Be it a country or that pop - you are a pianist, saxophone, violin, and so on. When we lucked into that, I realized I was putting all that I knew almost every song, trying to play some rhythm, some lead, complete notes, NOW. The first two or three things were on the tape when we were strictly just doodling, looking at the sound.
Elvis Presley: This song popped in my mind that I heard years ago, and I started to joke around with him.
COURT Phillips: It was the old rhythm and blues number called it's all right, mother, and immediately things began to happen right.
Scotty Moore: We had a break, and all of a sudden, Elvis began to sing this song, jump around and acting the fool. Then, Bill Black took his bass and started acting the fool, too, and I started to play with them. Sam had the door to the control room open, and stuck in his head and said: "What are you doing?" We said: "We do not know." He said: "Well, back up. Try to find a place to start, and do it again."
So we kinda said it again and saw a little of what we were Dion. "We ran back, and, of course, is Sam glistening". 'BOUT third or fourth time through, we simply reduce it. It was basically a rhythm recording. It was not a great thing. It was not Sam Tallinn 'him what to do. Elvis was playful around, just doing that, of course, to come, he believes.
Sam Phillips: I said: "Right then, here it is!" I knew we had it.
Scotty Moore: When we heard the playback, we knew that we had some rhythm, the rhythm is slightly different, but none of us knew that this word, so we do not call him anything at that time. NOW, the stories told, Sam was to look at 'for the white man who could sing black music. Well, he never mentioned anything like that with us. I understand that Elvis was Dion, "and he did not sound black to me. But it was that some felt that the singers were black.
We are delighted to receive, but only shook her head. I said: "Good God! They run us out of town when they hear it." Sam said he would take it to [BBQ DJ] Dewey Phillips and play for him.
July 6, 1954: Sam Phillips, Elvis Presley took two acetates to DJ Dewey Phillips (no relation) on the barbecue.
George Klein (BBQ staff): Back in those days, the disc jockeys to choose their own music. Dewey was a very good ear, and so all these guys use to record its new product. Dewey was a way to tell you right off the bat whether he liked it or not. If you're a good friend, he would let you easily.
Sam Phillips: We have a fine gum up, so to speak. White disc jockeys, not to touch what they regarded as a Negro in music and the Negro DDS did not want anything to do with a record made by the white man.
Wink Martindale (Memphis DJ): Dewey called me after Sam had record down to my opinion. He played for me. I thought the guy was black. Sam said: "No, he is not black. It is white."
George Klein: He said: "Who is singing?" I said: "I do not know." He said: "You should know, because you went to school with him." I said: "Man, it was Tobey Elvis", because Elvis was the only guy in school who could sing.
July 10, 1954: Philip Dewey plays this all right, Mom on the radio barbecue, Memphis Tennessee.
Gladys Presley (Elvis' mother): Elvis fixed radio and told us to leave it at that station, and then he went to the cinema, I think he was just too nervous to listen.
Wink Martindale: Dewey had some doubts about playing the recording, because he does not play, but the race music. Finally, around 9.15 and 9.30, he put it on the air. The results were incredible.
Eddie Bond (BBQ DJ): Dewey did not call him Elvis, though. He called him Elton Preston. He did not know his name and probably could not pronounce his name. "Elton Preston A new record here."
Mary lacquer (student): We were driving down Valentine Avenue in Memphis listening to Dewey Phillips radio show. Dewey said: "We got this boy here Hums from high school, and this is his first record, and for the first time we play. I want to know that y'all, how about it."
Eddie Bond: Dewey played Elvis' record of six times in a row. Dewey said: "It's Gonna Be Hit! It Gonna Be Hit! Elvis, if you're there to listen, come here, I want to talk to you."
Dewey Phillips: When the phone calls started to come to me in the hands of Elvis' dad, Vernon. Soon Elvis came to work in. "I'm going to your interview:" I said: "Just do not say anything dirty."
Elvis Presley: I was afraid to die. I was shaking all, I just could not believe in it.
18 июля 1953 года: это был лучший
RUSSIAN INTERVIEW ABOUT SIGNING ELVIS:
.Elvis Presley: Я был обусловлен 'грузовик, и я учился быть электрика тоже, вы видите. Ну, я пошел в Sun Records.
Джек Клемент (помощник Sun отчеты владелец Сэм Филлипс): Солнце было просто место, которое было гораздо больше, чем в большинстве экспериментальных. Я думаю, что это самое главное, что сделал это. Это просто единственное место, где они могли бы пойти weirdo /
СУД Филлипс (вице-президент Sun Records): Он был просто длинноволосый парень, который используется для надвигаться углу аптека. Когда Элвис пришли в нашу студию, было немного больше, чем прославил сарай, он хотел бы сократить частных диска для его матери в день рождения.
Марион Keisker (секретарь, Мемфис Запись служба): Он был занят субботу во второй половине дня. Управление было полно людей, желающих внести личных записей. Он пришел в говорит, что он хотел сделать запись. Я сказал ему, он бы подождать, и он сказал "ОК". Он сидел.
Пока он ждал, мы имели беседу. Он сказал, что исполнитель. Я сказал: "Какая ты певица?" Он сказал: "Я поют все виды". Я сказал: "Кто вы похожи?" Он сказал: "Я не звучат как никто".
СУД Филлипс: Мой брат Сэм встретил его, и весьма впечатлен его исполнении, хотя и с длинными волосами и старых синих джинсах он посмотрел довольно диким.
Сэм Филлипс (совладелец Мемфис записи службы): Я был в контрольной комнате. Только две вещи я услышал Элвиса делать, когда он пришел на мое счастье, и это Чернильные Пятна вещь [Вот когда ваши сердечные Начало].
Elvis Presley: Был парень там сняли мое имя, и сказал мне, он может позвонить мне иногда.
СУД Филлипс: После того, как он бы спели свои песни, за которые мы заряда $ 4 для записи, мы сказали, возможно, мы призываем его за то сократить коммерческий диск. Он не слишком энтузиазма, но я думаю, что было, потому что он был не совсем уверен в своих собственных способностей.
Сэм Филлипс: Я написал его имя вниз, как получить от него, и положил его на маленький старый шпинделя вперед, когда мы шли от двери.
26 июня 1954 года: Сэм Филлипс кольца Пресли и предлагает ему и Sun Studio сделать профессиональную запись.
Марион Keisker (секретарь, Мемфис Запись обслуживания): Почти через год после Элвиса зарегистрировано мое счастье, Сэм получил все возбужденных по поводу новой песни он бы найден, но не могут найти никого петь.
Сэм Филлипс: Я бы запустить через баллада [Without You], написанные заключенными в Теннеси государственного ручку, и я хотел эстрадный певец.
Марион Keisker: Я упомянул Elvis ему снова.
Elvis Presley: "Вы хотите, чтобы некоторые блюз?" Он предложил, по телефону, зная, я всегда был насосных для этого вида джайв. Он отметил, Большая Мальчик Cutup его имя, и, возможно, другие тоже / Все, что я знаю это, я повесил трубку и побежал 15 блоков г Филлипс бюро, прежде чем он получил бы покинуть линию.
4 июля 1954 года: rehearses Пресли на Sun Studios с Скотти Мур и Билл Черного.
Марион Keisker: Мы получили Elvis приехать, но он не может сделать песню удовлетворить Сэм. Это можно было бы конца, но то, Сэм вызвал интерес.
СУД Филлипс (совладелец, Сан-Records): Эта сессия оказалась сильных разочарований бизнеса. Он был не доволен любой из песен мы предложили. Ничего мы старались, как подходят к его стилю.
Сэм Филлипс: Elvis toyed вокруг с ним. Я решил ему нужна пара PF хороший ритм мужчины назад от него и поэтому я призвал Скотти [Мур, гитарист] и сказал ему, чтобы завладеть Билл [Черный, басист]. И я сказал: "Теперь у меня молодой человек, и он будет другим", я сказал ему, и Билл пойти на работу и с Elvis мало. Я сказал: "Сейчас он очень нервный и робкий и очень вежливо."
5 июля 1954 года: Пресли записи, все в порядке, мама, на Sun Records.
Скотти Мура (гитарист): Это была просто проба. Это единственная причина была только Черного Билла и меня в студии. Нам просто необходимо достаточно музыки, чтобы узнать, что Элвис был похож на пленку, ведь первые записи он был ацетат. Сэм пытается получить прямой на его голос. Ли он петь такой темп песни или лучше?
Мы постарались четыре песни. Я тебя люблю Так было первое, что мы ставим на пленку. Мы были использованы в игре с более участвовали музыканты, NOW. Будь то страны или, что поп - вы пианист, саксофон, скрипка, и так далее. Когда мы в lucked о том, что я понял, я был сдачи все, что я знал практически в каждой песне, пытаясь сыграть некоторые ритма, некоторые свинец, заполните отмечает, NOW. Первые две или три вещи были на кассете, когда мы были строго только doodling, глядя на звук.
Elvis Presley: Эта песня popped на мой взгляд, что я слышал лет назад, и я начал шутить с ним вокруг.
СУД Филлипс: Было старых ритм и блюз число назвал это все в порядке, мама, и сразу начал вещей происходит справа.
Скотти Мур: Мы имели перерыв, и все неожиданно, Элвис начал петь эту песню, прыгать вокруг и действуя дурак. Затем Билл Черного взял его бас и начал действуя дурака тоже, и я начал играть с ними. Сэм была дверь в комнату управления открытым, и застрял в его голове и сказал: "Что ты делаешь?" Мы сказали: "Мы не знаем". Он сказал: "Ну, создайте резервную копию. Постарайтесь найти место, чтобы начать, и сделать это снова".
Итак, мы говорили любопытное его снова и понял, немного того, что мы были Дион ". Мы побежали снова, и, конечно, является Сэм listenin ". 'BOUT третий или четвертый раз путем, мы просто сократить его. Она была в основном ритм записи. Она была не великая вещь. Он не был Сэм Таллинн 'ему, что делать. Элвис был шутливый вокруг, просто делает то, что, естественно, прийти, что он считает.
Сэм Филлипс: Я сказал: "Право потом, вот это!" Я знал, что мы имели ее.
Скотти Мур: Когда мы слышали воспроизведение, мы знали, что мы имели какой-то ритм, ритм немного отличается, но никто из нас не знал, что это слово, поэтому мы не называем его ничего на тот момент. NOW, рассказы сказал Сэм был заглянуть в 'для белого человека, который мог бы спеть черная музыка. Ну, он ни разу не упоминается, что ничего подобного у нас. Я понимаю, что Элвис был Дион "и он не звук черный мне. Но он имел, что некоторые считают, что черные певцы были.
Мы рады, получил, но только покачала головой. Я сказал: "Добрый Бог! Они перспективе нас из города, когда они слышат это." Сэм сказал, что он бы принять его к [Барбекю DJ] Дьюи Филлипс и играть за него.
6 июля 1954 года: Сэм Филлипс занимает два Elvis Presley ацетатов для DJ Дьюи Филлипс (нет связи) на барбекю.
Джордж Клайн (Барбекю персонала): Назад в те дни, диск-жокеев выбрали свою собственную музыку. Дьюи был очень хороший слух, и поэтому все эти записи ребята использовали для его нового продукта. Дьюи был способ сказать вам с места в карьер любил ли он ее или нет. Если вы хороший друг, он бы пусть тебя просто.
Сэм Филлипс: Мы вверх десен пени, если можно так выразиться. Белый диск-жокеев, не коснуться того, что они рассматриваются как негр в музыке, и негр DDS не хотят ничего делать с рекордным выступил белого человека.
Подмигнуть Martindale (Мемфис DJ): Дьюи позвонил мне после Сэм принесли запись вниз, чтобы мое мнение. Он сыграл для меня. Я думал, парень был черным. Сам сказал: "Нет, он не черный. Он белый".
Джордж Клайн: Он сказал: "Кто это поет?" Я сказал: "Я не знаю." Он сказал: "Вы должны знать, потому что вы пошли в школу с ним". Я сказал: "Человек, он получил Tobey Elvis", потому что Элвис был единственным парнем в школе, кто может петь.
10 июля 1954: Дьюи Филипп играет в этом все в порядке, мама по радио барбекю, Мемфис штат Теннесси.
Глэдис Пресли (Elvis' мать): Elvis фиксированной радиосвязи и сказал нам, чтобы оставить его на этой станции, а затем он пошел в кино, я думаю, он был просто слишком нервная для прослушивания.
Подмигнуть Martindale: Дьюи были некоторые сомнения по поводу воспроизведения записи, потому что он ничего не играл, но гонка музыка. Наконец, около 9.15 и 9.30, он поставил его на воздух. Полученные результаты были невероятными.
Эдди Бонд (Барбекю DJ): Дьюи не называть его Элвиса, хотя. Он назвал его Элтон Престон. Он не знал его имя и, возможно, не могли произнести его имя. "Элтон Престон У новой записи здесь."
Мэри лак (школьница): Мы ехали вниз Валентина Avenue в Мемфисе прослушивания Дьюи Филлипс радио-шоу. Дьюи говорил: "Мы получили этот мальчик здесь Hums из средней школы, и это его первая запись, и в первый раз мы играем. Я хочу, чтобы узнать, что y'all, как о нем".
Эдди Бонд: Дьюи сыграл Elvis' отчет в шесть раз подряд. Дьюи говорит: "Это Gonna Be хит! Это Gonna Be хит! Elvis, если вы там слушать, давай сюда, я хочу поговорить с вами".
Дьюи Филлипс: когда телефонные звонки стали приходить мне в руки Elvis' папа, Вернон. Вскоре Элвис пришел работает дюйм "Я иду к вам интервью:" Я сказал: "Только не говори ничего грязной".
Elvis Presley: Я боялся до смерти. Я был тряску всего, я просто не мог в это поверить.
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