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PHWOOAR! I LOVE Heather Parisi video

Heather Parisi Sigla Fantastico 8
Heather Parisi Sigla Fantastico 8
  • Order:
  • Duration: 5:01
  • Published: 03 Aug 2009
  • Uploaded: 11 Mar 2011
  • Author: avalon3it
Heather balla la sigla d'apertura di Fantastico 8, sulle note de "L'ultimo gigante".
L e Sorelle Bandiera L'Altra Domenica sigla
L e Sorelle Bandiera L'Altra Domenica sigla
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  • Duration: 2:38
  • Published: 09 Jul 2010
  • Uploaded: 28 Feb 2011
  • Author: avalon3it
La presentazione ufficiale da parte di Renzo Arbore dei tre personaggi "Le Sorelle Bandiera" interpretati da Neil Hansen, Mauro Bronchi e Tito LeDuc. Il pezzo dopo la presentazione diventera' la sigla del programma. Enjoy
Heather Parisi Luna Park 1979 Anche noi New Troll
Heather Parisi Luna Park 1979 Anche noi New Troll
  • Order:
  • Duration: 3:22
  • Published: 12 Aug 2009
  • Uploaded: 06 Apr 2011
  • Author: avalon3it
Sigla di apertura dello show Luna Park primo spettacolo Rai di Heather, cantata dai New Troll. Costume Rosa.
Heather Parisi Eyes of the tiger
Heather Parisi Eyes of the tiger
  • Order:
  • Duration: 4:12
  • Published: 14 Aug 2009
  • Uploaded: 27 Apr 2011
  • Author: avalon3it
Sulle note del celebre film "Rocky III" ballano Heather Parisi e Raffaele Paganini.
Heather Parisi Blackout Domenica In 1979
Heather Parisi Blackout Domenica In 1979
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  • Duration: 3:44
  • Published: 11 Aug 2009
  • Uploaded: 06 Apr 2011
  • Author: avalon3it
Apparizione di Heather a Domenica in del 1979 condotta dall'indimenticabile Corrado.
Heather Parisi Cicale
Heather Parisi Cicale
  • Order:
  • Duration: 3:31
  • Published: 19 Aug 2009
  • Uploaded: 25 Apr 2011
  • Author: avalon3it
Sigla di Fantastico 2, che ha dato il "battesimo" ufficiale ad Heather Parisi nel 1981. Affiancata in questa nuova esperienza lavorativa da Walter Chiari Memo Remigi Romina Power Oriella dorella Gigi Sabani Claudio Cecchetto. Uscita, da ricordare, del suo primo album Cicale & co.
Heather Parisi Occhi rosa per te 1
Heather Parisi Occhi rosa per te 1
  • Order:
  • Duration: 2:02
  • Published: 01 Aug 2009
  • Uploaded: 24 Mar 2011
  • Author: avalon3it
Ecco Occhi rosa per te con Sandra Mondain e Heather Parisi pre chiusura di Stasera niente di nuovo.
Heather Parisi Let's dance
Heather Parisi Let's dance
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  • Duration: 6:22
  • Published: 11 Aug 2009
  • Uploaded: 22 Jan 2011
  • Author: avalon3it
Heather Parisi balla sul pezzo di David Bowie, e nello stesso balletto ripropone sulle "punte" La bella addormentata nel bosco accompagnata nel passo a due da Fabio Molfesi, conclude la performance con il pezzo Last night a dj saved my life.
Heather Parisi Stars and stripes
Heather Parisi Stars and stripes
  • Order:
  • Duration: 4:05
  • Published: 14 Aug 2009
  • Uploaded: 29 Dec 2010
  • Author: avalon3it
Balletto dedicato all'inno americano, ballano Heather Parisi e Raffaele Paganini.
Heather Parisi Can,t take my eyes off you
Heather Parisi Can,t take my eyes off you
  • Order:
  • Duration: 4:16
  • Published: 14 Aug 2009
  • Uploaded: 02 Apr 2011
  • Author: avalon3it
Balletto tratto dalla colonna sonora del film "The Deer Hunter" (Il cacciatore). Heather e' affiancata da Raffaele Paganini.
Heather Parisi Ti Rockero'
Heather Parisi Ti Rockero'
  • Order:
  • Duration: 3:32
  • Published: 18 Aug 2009
  • Uploaded: 24 Feb 2011
  • Author: avalon3it
Sigla del programma Stasera niente di nuovo.
Heather Parisi Luna Park 1979 Anche noi New Troll 3
Heather Parisi Luna Park 1979 Anche noi New Troll 3
  • Order:
  • Duration: 3:54
  • Published: 12 Aug 2009
  • Uploaded: 27 Aug 2010
  • Author: avalon3it
Sigla di apertura dello show Luna Park primo spettacolo Rai di Heather, cantata dai New Troll. Costume azzurro. www.heatherparisi.com
Heather Parisi Cenerentola e Fata confetto
Heather Parisi Cenerentola e Fata confetto
  • Order:
  • Duration: 3:44
  • Published: 19 Jun 2009
  • Uploaded: 19 Mar 2011
  • Author: avalon3it
Heather "Cinderella" allo scoccare della mezzanotte… poi esegue, sempre sulle "punte", "La danza della fata confetto" dallo "Schiaccianoci". Due pezzi tratti dallo show STASERA NIENTE DI NUOVO del 1981 sempre per gentile concessione della Rai.
Heather Parisi Luna Park 1979 Anche noi New Troll 2
  • Order:
  • Duration: 3:20
  • Published: 12 Aug 2009
  • Uploaded: 11 Apr 2011
  • Author: avalon3it
Sigla di apertura dello show Luna Park primo spettacolo Rai di Heather, cantata dai New Troll. Costume verde.
Heather Parisi Count Basie
Heather Parisi Count Basie
  • Order:
  • Duration: 3:48
  • Published: 24 Aug 2009
  • Uploaded: 04 Mar 2011
  • Author: avalon3it
Heather Parisi balla accompagnata da Raffaele Paganini e dalle note di Count Basie in questa puntata di Al Paradise.
Heather Parisi Mimi
Heather Parisi Mimi
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    Order:
  • Duration: 2:16
  • Published: 15 Aug 2009
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  • Uploaded: 26 Apr 2011
  • Author: avalon3it
Performance di Heather Parisi in Al Paradise, ispirata alla canzone MIMI del grande Maurice Chevalier, tratta e ritradotta dal francese all'inglese per il film "Love me tonight". In questo balletto Heather balla sulle note "francesi" del pezzo.
Heather Parisi balletto Luna Park 1979
Heather Parisi balletto Luna Park 1979
  • Order:
  • Duration: 3:40
  • Published: 12 Aug 2009
  • Uploaded: 09 Sep 2010
  • Author: avalon3it
Balletto ispirato alle lifeline della mano. www.heatherparisi.com
Sandra Mondaini intro
Sandra Mondaini intro
  • Order:
  • Duration: 2:04
  • Published: 20 Jun 2009
  • Uploaded: 24 Mar 2011
  • Author: avalon3it
Sandra Mondaini balla il suo "Intro", dopo sigla, insieme al corpo di ballo di Stasera niente di nuovo.
Blackout + intervista
Blackout + intervista
  • Order:
  • Duration: 5:28
  • Published: 13 Aug 2009
  • Uploaded: 20 Oct 2010
  • Author: avalon3it
www.heatherparisi.com Questa e' quella con l'intervista…..
freebitchbaby
freebitchbaby
  • Order:
  • Duration: 1:05
  • Published: 03 May 2010
  • Uploaded: 05 Oct 2010
  • Author: avalon3it
Walk walk fashion baby Work it Move that bitch crazy Walk walk fashion baby Work it Move that bitch crazy Walk walk fashion baby Work it Move that bitch crazy Walk walk fashion baby Work it Imma Freak bitch baby
Heather Parisi Duke Hellington
Heather Parisi Duke Hellington
  • Order:
  • Duration: 4:27
  • Published: 24 Aug 2009
  • Uploaded: 27 Aug 2010
  • Author: avalon3it
Heather Parisi e Raffaele Paganini rendono omaggio in questa puntata di Al Paradise a Duke Hellington.
heather parisi bella addormentata
heather parisi bella addormentata
  • Order:
  • Duration: 1:12
  • Published: 17 Jun 2009
  • Uploaded: 19 Mar 2011
  • Author: avalon3it
Heather "Sleeping beauty" Stasera niente di nuovo 1981 per gentile concessione della RAI radiotelevisione italiana.
Heather Parisi SIGLA SNDN
Heather Parisi SIGLA SNDN
  • Order:
  • Duration: 3:38
  • Published: 20 Jun 2009
  • Uploaded: 26 Aug 2010
  • Author: avalon3it
Stasera niente di nuovo… ma la sigla la sa lunga. Ti Rockero'!
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Heather Parisi Sigla Fantastico 8
Heather Parisi Sigla Fantastico 8
5:01
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L e Sorelle Bandiera L'Altra Domenica sigla
L e Sorelle Bandiera L'Altra Domenica sigla
2:38
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Heather Parisi Luna Park 1979 Anche noi New Troll
Heather Parisi Luna Park 1979 Anche noi New Troll
3:22
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Heather Parisi Eyes of the tiger
Heather Parisi Eyes of the tiger
4:12
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Heather Parisi Blackout Domenica In 1979
Heather Parisi Blackout Domenica In 1979
3:44
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Heather Parisi Cicale
Heather Parisi Cicale
3:31
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Heather Parisi Occhi rosa per te 1
Heather Parisi Occhi rosa per te 1
2:02
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Heather Parisi Let's dance
Heather Parisi Let's dance
6:22
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Heather Parisi Stars and stripes
Heather Parisi Stars and stripes
4:05
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Heather Parisi Can,t take my eyes off you
Heather Parisi Can,t take my eyes off you
4:16
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Heather Parisi Ti Rockero'
Heather Parisi Ti Rockero'
3:32
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Heather Parisi Luna Park 1979 Anche noi New Troll 3
Heather Parisi Luna Park 1979 Anche noi New Troll 3
3:54
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Heather Parisi Cenerentola e Fata confetto
Heather Parisi Cenerentola e Fata confetto
3:44
Heather Parisi Luna Park 1979 Anche noi New Troll 2
Heather Parisi Luna Park 1979 Anche noi New Troll 2
3:20
remove add to playlist video results for: avalon3it
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Heather Parisi Count Basie
Heather Parisi Count Basie
3:48
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Heather Parisi Mimi
Heather Parisi Mimi
2:16
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Heather Parisi balletto Luna Park 1979
Heather Parisi balletto Luna Park 1979
3:40
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Sandra Mondaini intro
Sandra Mondaini intro
2:04
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Blackout + intervista
Blackout + intervista
5:28
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freebitchbaby
freebitchbaby
1:05
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Heather Parisi Duke Hellington
Heather Parisi Duke Hellington
4:27
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heather parisi bella addormentata
heather parisi bella addormentata
1:12
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Heather Parisi SIGLA SNDN
Heather Parisi SIGLA SNDN
3:38

Sandra Mondaini

Name Sandra Mondaini Birth date September 01, 1931 Birth place Milan, Italy Death date September 21, 2010 Death place Milan, Italy Occupation Actress, presenter Yearsactive 1953-2008 Spouse Raimondo Vianello (1962 - 2010) Sandra Mondaini (1 September 1931 - 21 September 2010) was an Italian film actress and television host. She appeared in 30 films between 1953 and 2008.

Born in Milan, Italy, she married actor Raimondo Vianello in 1962. Together with her husband she hosted numerous variety shows on Italian television including Tante scuse, Di nuovo tante scuse, Attenti a noi due, Sandra e Raimondo Show and Stasera niente di nuovo. Between 1988 and 2007 she had the leading role in the famous Italian sitcom, Casa Vianello.

Her last work was the television film Crociera Vianello, a spin-off from Casa Vianello.

She died on 21 September 2010 in Milan at the age of 79.

Selected filmography

This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.

Count Basie

Name Count Basie Background non_vocal_instrumentalist Birth name William James Basie Born August 21, 1904Red Bank, New Jersey, U.S. Died April 26, 1984Hollywood, Florida, U.S. Instrument Piano, organ Genre Occupation Years active 1924-1984 William "Count" Basie (August 21, 1904 - April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. Basie led his jazz orchestra almost continuously for nearly 50 years. Many notable musicians came to prominence under his direction, including tenor saxophonists Lester Young and Herschel Evans, trumpeters Buck Clayton and Harry "Sweets" Edison and singers Jimmy Rushing and Joe Williams. Basie's theme songs were "One O'Clock Jump" and "April In Paris".

Biography

Early life

William James Basie was born to Harvey Lee Basie, and Lillian Ann Childs, who lived on Mechanic Street in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several families in the area. His mother, a piano player who gave Basie his first piano lessons, took in laundry and baked cakes for sale and paid 25 cents a lesson for piano instruction for him.

Basie was not much of a scholar and instead dreamed of a traveling life, inspired by the carnivals which came to town. He only got as far as junior high school. He would hang out at the Palace Theater in Red Bank and did occasional chores for the management, which got him free admission to the shows. He also learned to operate the spotlights for the vaudeville shows. One day, when the pianist failed to arrive by show time, Basie took his place. Playing by ear, he quickly learned to improvise music appropriate to silent movies.

Though a natural at the piano, Basie preferred drums. However, the obvious talents of another young Red Bank area drummer, Sonny Greer (who was Duke Ellington's drummer from 1919 to 1951), discouraged Basie and he switched to piano exclusively by age 15. When not playing a gig, he hung out at the local pool hall with other musicians where he picked up on upcoming play dates and gossip. He got some jobs in Asbury Park, New Jersey, playing at the Hongkong Inn, until a better player took his place.

Early career

Around 1924, he went to Harlem, a hotbed of jazz, living down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. Soon, Basie met many of the Harlem musicians who were making the scene, including Willie "the Lion" Smith and James P. Johnson.

Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to blues singers Katie Krippen and Gonzelle White. His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Throughout his tours, Basie met many great jazz musicians, including Louis Armstrong.

Back in Harlem in 1925, Basie got his first steady job at Leroy's, a place known for its piano players and its "cutting contests." The place catered to "uptown celebrities," and typically the band winged every number without sheet music (using "head" arrangements). He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument (Basie later played organ at the Eblon Theater in Kansas City). As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times arranging gigs at house-rent parties, introducing him to other top musicians, and teaching him some piano technique.

In 1928 Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It was at this time that he began to be known as "Count" Basie (see Jazz royalty).

Kansas City years

The following year, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. Where the Blue Devils were "snappier" and more "bluesy," the Moten band was classier and more respected, and played in the "Kansas City stomp" style. In addition to playing piano, Basie was co-arranger with Eddie Durham, who actually did the notating. During a stay in Chicago, Basie recorded with the band. He occasionally played four-hand piano and dual pianos with Moten, who also conducted. The band improved with several personnel changes, including the addition of tenor saxophonist Ben Webster.

When the band voted Moten out, Basie took over for several months as Count Basie and his Cherry Blossoms until the band folded, when he returned to Moten's newly re-organized band. When Moten died in 1935 after a surgical procedure, the band unsuccessfully attempted to stay together. Then Basie formed a new band, which included many Moten alumni, with the important addition of tenor player Lester Young. They played at the Reno Club and sometimes were broadcast on local radio. Late one night with time to fill, the band started improvising. Basie liked the results and named the piece "One O'Clock Jump." According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just stuck. We set the thing up front in D-flat, and then we just went on playing in F." It became his signature tune.

Hammond and first recordings

, from the film Stage Door Canteen (1943)]] At the end of 1936, Basie and his band, now billed as Count Basie and His Barons of Rhythm, moved from Kansas City and honed their repertoire at a long engagement at the Grand Terrace Ballroom in Chicago. Right from the start, Basie's band was noted for its rhythm section. Another Basie innovation was the use of two tenor saxophone players; at the time, most bands had just one. When Lester Young complained of Herschel Evans' vibrato, the two were split apart and placed one on each side of the alto players, and soon Basie had the tenor players engaged in "duels". Many other bands later adapted the split tenor arrangement.

In that city in October 1936, members of the band participated in a recording session which producer John Hammond later described as "the only perfect, completely perfect recording session I've ever had anything to do with". Hammond, according to Basie, had heard Basie's band over short-wave radio, then he went to Kansas City to check them out. The results were Lester Young's earliest recordings. Those four sides were released under the name Jones-Smith Incorporated, because Basie had already signed with Decca Records but had not started recording for them (his first Decca session was January 1937). The sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh, Lady Be Good".

By now, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano. His personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone). Lester Young, known as "Prez" by the band, came up with nicknames for all the other band members. Basie became known as "Holy Man", "Holy Main", and just plain "Holy".

Basie favored blues, and he showcased some of the most notable blues singers of the era: Billie Holiday, Jimmy Rushing, Big Joe Turner, Helen Humes, and Joe Williams. He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy.

New York City and the Swing years

When they arrived in New York, they made the Woodside Hotel their base (where they often rehearsed in the basement). Soon, they were booked at the Roseland Ballroom for the Christmas show. Basie recalled a review, which in his words was something like, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire. Well, the Roseland is still standing". Compared to the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation. Hammond advised and encouraged them, and they soon came up with some adjustments, including softer playing, more solos, more standards, and saving their hottest numbers for later in the show to give the audience a chance to warm up. His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose".

Hammond introduced Basie to Billie Holiday who was soon singing with the band. (Holiday didn't record with Basie, however, as she had her own record contract and preferred working with small combos). The band's first appearance at the Apollo Theater followed, with vocalists Holiday and Rushing getting the most attention. Eddie Durham came back to help with arranging and composing, but for the most part their numbers were worked out in rehearsal, with Basie, guiding the proceedings, and the results written out little if at all. Once they found what they liked, they usually were able to repeat it using their collective memory.

Next, Basie played at the Savoy, which was noted more for jitterbugging, while the Roseland was more of a place for fox-trots and congas. In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. Basie had Holiday and Webb countered with Ella Fitzgerald. As Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's", then it went on in detail, : "Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically. Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary".The publicity over the battle, before and after, gave the Basie band a big boost and they gained wider recognition, as evidenced by Benny Goodman's recording of One O'Clock Jump shortly thereafter.

A few months later, Holiday left for Artie Shaw's band, and was replaced by Helen Humes; she was also ushered in by John Hammond, and stayed with Basie for four years. Co-arranger and trombone player Eddie Durham left for Glenn Miller's orchestra and was replaced by Dicky Wells. Basie's 14-man band began playing at the Famous Door, a mid-town nightspot, with a CBS network feed and air conditioning. Their fame took a huge leap. Adding to their play book, Basie received arrangements from Jimmy Mundy (who had also worked with Benny Goodman and Earl Hines) particularly for "Cherokee", "Easy Does It", and "Super Chief". In 1939, Basie and his band made a major cross-country tour, including their first West Coast dates. A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.

In 1942, Basie moved to Queens with Catherine Morgan, after being married to her for a few years. On the West Coast, the band did a spot in Reveille With Beverly, a musical starring Ann Miller, and also a "Command Performance" for Armed Forces Radio with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and singer Dinah Shore. Other minor movie spots followed including Choo Choo Swing, Crazy House, Top Man, and Hit Parade of 1943. They also started to record with RCA. The war years caused a lot of member turn over, and the band worked many play dates with lower pay. Dance hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of 1942-44 and 1948 began to be felt and the public's growing taste for singers.

Post-war and later years

The big band era appeared to have ended after the war, and Basie disbanded the group. For a while, he performed in combos, sometimes stretched to an orchestra. In 1950, he headlined the Universal-International short film 'Sugar Chile' Robinson, Billie Holiday, Count Basie and His Sextet. He reformed his group as a 16-piece orchestra in 1952. Basie credits Billy Eckstine, a top male vocalist of the time, for prompting his return to Big Band and Norman Granz for getting him into the Birdland club and promoting the new band through recordings on the Mercury, Clef, and Verve labels. The jukebox era had begun, and Basie shared the exposure along with early rock'n'roll and rhythm and blues artists. Basie's new band was more of an ensemble group, with fewer solo turns, and relying less on "head" and more on written arrangements.

Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Basie's band was sharing Birdland with bebop greats Charlie Parker, Dizzy Gillespie, and Miles Davis. Behind the occasional bebop solos, though, he always kept his strict rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat". Basie also added flute to some numbers, a novelty at the time that became widely copied. Soon, they were touring and recording again. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, and Idris Sulieman, Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd Johnson (tenor sax); Marshall Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). Down Beat said "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers 1938 and the youngster who has never before heard a big band like this".

In 1954, the band made its first European tour. Jazz was especially strong in France, The Netherlands, and Germany in the 1950s; These countries were the stomping grounds for many expatriate jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. Neal Hefti began to provide arrangements, notably "Lil Darlin'". By the mid-1950s, Basie's band had become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. They also toured with the "Birdland Stars of 1955", whose lineup included Sarah Vaughan, Erroll Garner, Lester Young, George Shearing, and Stan Getz.

In 1957, Basie released the live album Count Basie at Newport. "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. The Basie band made two tours in the British Isles and on the second, they put on a command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza.He was a guest on ABC's The Pat Boone Chevy Showroom, a venue also opened to several other black entertainers. In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger) and "Basie and Eckstine, Inc.": album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. It was released by Roulette Records, then later reissued by Capital Records.

Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to "Sweet Georgia Brown", followed in January 1960 by Basie performing at one of the five John F. Kennedy Inaugural Balls. That summer, Basie and Duke Ellington combined forces for the recording First Time! The Count Meets the Duke, each providing four numbers from their play books.

During the balance of the 1960s, the band kept busy with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Some time around 1964, Basie adopted his trademark yachting cap.Through steady changes in personnel, Basie led the band into the 1970s. Basie made a few more movie appearances, such as the Jerry Lewis film Cinderfella (1960) and the Mel Brooks movie Blazing Saddles (1974), playing his arrangement of "April in Paris".

Basie died of pancreatic cancer in Hollywood, Florida on April 26, 1984 at the age of 79.

Basie also recorded with Tony Bennett in the early 1960s - their albums together included the live recording at Las Vegas and Strike Up the Band, a studio album. Basie also toured with Bennett, including a date at Carnegie Hall. Other notable recordings were with Sammy Davis, Jr., Bing Crosby, and Sarah Vaughan. One of Basie's biggest regrets was never recording with Louis Armstrong, though they shared the same bill several times.

Legacy

Count Basie introduced several generations of listeners to the Big Band sound and left an influential catalog. Basie is remembered by many who worked for him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and always enthusiastic about his music. As he summed up the key to his understated style, in his autobiography, "I think the band can really swing when it swings easy, when it can just play along like you are cutting butter".

Other cultural connections include Jerry Lewis using "Blues in Hoss' Flat" from Basie's Chairman of the Board album, as the basis for his own "Chairman of the Board" routine in the movie The Errand Boy, in which Lewis pantomimed the movements of a corporate executive holding a board meeting. (In the early 1980s, Lewis revived the routine during the live broadcast of one of his Muscular Dystrophy Association telethons). Blues in Hoss' Flat, composed by Basie band member Frank Foster, was also the longtime theme song of San Francisco and New York radio DJ Al "Jazzbeaux" Collins. In addition, Basie is one of the producers of the "world's greatest music" that Brenda Fricker's "Pigeon Lady" character claims to have heard in Carnegie Hall in 1992's . Drummer Neil Peart of the Canadian rock band Rush recorded a version of "One O'Clock Jump" with the Buddy Rich Big Band, and has used it at the end of his drum solos on the 2002 Vapor Trails Tour and Rush's .

The Count Basie Theatre and Count Basie Field in his hometown of Red Bank, New Jersey were named in his honor. The street on which he lived, Mechanic Street has the honorary title of Count Basie Way.

On September 26, 2009, Edgecombe Avenue and 160th Street in Washington Heights, Manhattan, were renamed as Paul Robeson Boulevard and Count Basie Place. The corner is the location of 555 Edgecombe Avenue, also known as the Paul Robeson Home, a National Historic Landmark building where Count Basie and Paul Robeson lived.

Discography

The majority of Basie's recordings were made with his big band, see Count Basie Orchestra Discography.

Basie also made several small group recordings without his band:

This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.

Heather Parisi Sigla Fantastico 8 Order: Duration: 5:01 Published: 03 Aug 2009 Uploaded: 11 Mar 2011 Author: avalon3it http://wn.com/Heather_Parisi_Sigla_Fantastico_8 Heather balla la sigla d'apertura di Fantastico 8, sulle note de "L'ultimo gigante". L e Sorelle Bandiera L'Altra Domenica sigla Orde ...http://whatgetsmehot.posterous.com/phwooar-i-love-heather-parisi-video» more

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